Download Klapt Font Family From SevenType

Download Klapt Font Family From SevenType
Download Klapt Font Family From SevenType Download Klapt Font Family From SevenType Download Klapt Font Family From SevenType



Klapt is a geometric sans serif family that is soft on the outside and sharp on the inside. This family of four weights, includes an extended character set supporting most Latin languages even Vietnamese! Klapt, which can be bold or very elegant, is well suited for designs ranging from branding and corporate identity to editorial design and also web design. It is great for display purposes especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt or just get in touch via email to hi@seventype.com.


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Download Shaley Font Family From Dmitrii Chirkov

Download Shaley Font Family From Dmitrii Chirkov
Download Shaley Font Family From Dmitrii Chirkov Download Shaley Font Family From Dmitrii Chirkov Download Shaley Font Family From Dmitrii Chirkov



This font is a new Calligraphic Script with a floating baseline, ligatures and multilingual support. Shaley Script will look beautiful on holiday invitations, wedding invites and stationery, logos, and more. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy!


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Download Oriole Bird Font Family From Tanincreate

Download Oriole Bird Font Family From Tanincreate
Download Oriole Bird Font Family From Tanincreate Download Oriole Bird Font Family From Tanincreate Download Oriole Bird Font Family From Tanincreate



Oriole Bird is a modern calligraphy script to bring an elegance to your designs - branding projects, social media, wedding invitation, greeting cards, packaging, logo design, news, titling, headlines, posters, signboards and more. It features multi language support (for most of Western Europe), contains glyphs with some OpenType features - standard ligatures, alternates for uppercase (beginning swashes) and lowercase letters (beginning and ending swashes).


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Download College Tantrum Font Family From David Engelby Foundry

Download College Tantrum Font Family From David Engelby Foundry
Download College Tantrum Font Family From David Engelby Foundry Download College Tantrum Font Family From David Engelby Foundry Download College Tantrum Font Family From David Engelby Foundry



College Tantrum is my take on the college font tradition – an edgy, hard working attitude and a proud statement. The font comes with both lower case and upper case letters – plus a bundle of ligatures, alternate glyph sets and college sport dingbats. It’s also versatile as a poster font, for websites and for infographics. Play ball!


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Download Nouveau Vaudeville Font Family From Jeff Levine

Download Nouveau Vaudeville Font Family From Jeff Levine
Download Nouveau Vaudeville Font Family From Jeff Levine Download Nouveau Vaudeville Font Family From Jeff Levine Download Nouveau Vaudeville Font Family From Jeff Levine



On the cover of the 1926 sheet music for “There Ain’t No Maybe in My Baby’s Eyes”, the title is rendered in Art Nouveau hand lettering; pen-drawn with rounded ends. The type design is now available as Nouveau Vaudeville JNL, in both regular and oblique versions.


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Download Amica Pro Font Family From Schizotype

Download Amica Pro Font Family From Schizotype
Download Amica Pro Font Family From Schizotype Download Amica Pro Font Family From Schizotype Download Amica Pro Font Family From Schizotype



Welcome Amica Pro, a workhorse sans designed to give your branding a friendly, approachable look. What is it that makes a typeface friendly? Schizotype undertook extensive research* in this and the results are in! To cut a long story short, friendliness in sans serif fonts can be summed up in two words – short and fat. Basically, think Danny DeVito in letter form. The shortness in Amica Pro is achieved (somewhat counterintuitively) by pushing up the x-height. This, coupled with short ascenders and descenders, gives the text a squat appearance. For the fatness, that's easy in the bolder weights, but how to carry this through to the lights? Here, the fatness equates to roundness, so the letterforms, even if the stroke weight is light, have a rotund appearance from the wideness and roundness of the circular glyphs. When thinking about friendliness, we think about inclusiveness. To this end, Amica Pro supports a super wide range of latin-based languages, as it uses Underware's Latin Plus character set, as well as extra support for Vietnamese. Amica Pro is best used for branding, logos, infographics etc. It will give your UI a friendlier feel, but that doesn't mean it's not serious. There are many useful typographic features, including alternates, numerous figure styles, automatic fractions and case-sensitive forms. The italics are carefully optically corrected "sloped romans" and as such they are the same width as their upright equivalent, so changing your copy to italics will not mess around with the spacing. *I looked at a few fonts and drew some lazy conclusions.


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Download VTC Bloke Font Family From Vintage Type Company

Download VTC Bloke Font Family From Vintage Type Company
Download VTC Bloke Font Family From Vintage Type Company Download VTC Bloke Font Family From Vintage Type Company Download VTC Bloke Font Family From Vintage Type Company



VTC Bloke is a revival of Miller & Richard’s classic metal typeface, ‘Egyptian Expanded’, including the three-dimensional, ‘Open’ style that was later introduced to the family. The roots of this typeface stem from the UK, where William Miller and his son-in-law Richard had their initial foundry in Edinburgh, Scotland. In addition to the beautiful and timeless type designs, the foundry gained a reputation for offering super small type sizes, designed for Bibles, dictionaries, documents, etc. Slab Serifs (or Egyptian Serifs) started to gain popularity in the early 19th century. It’s around this time, due to emerging industrial technologies, and an ever-expanding advertising industry, that type designers started to really experiment with letterforms that could help their clients distinguish themselves from the competitor, and catch people's eyes. The size of posters and advertising space was getting bigger, and bigger, and so was the type. All original letterforms have been re-drawn and cleaned up, with some more modern glyphs and characters added in. VTC Bloke supports Adobe Latin 1 Language Support.


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